In the Green Room: Molly Rocket
SA’s fav grunge-rock four-piece is on the move. Headlining OC Sound Fest and gearing up to drop their sophomore EP The Dogs Are Barking, we chewed the fat with Georgie and Ben.
Image Saturn Mollie
Congratulations on your latest single, ‘When He Walks Around’. Tell us about this track.
It’s a short, sharp and shiny track about falling in love and all that corny shiz. It’s super fun and sincere! It’s got that power pop-rock vibe and is a good breather before our big release which contains lyrical content that is quite heavy. Why so emo man? I don’t know.
Word on the street is you’ve got a music video for this in the works. What will this one look like?
This music video is going to take you right back to childhood birthday parties, except with more chaos and melody. Plus, clown!
We’re excited to see you play at OC Sound Fest, a rural music festival at Overland Corner Hotel on January 24. What should we expect from your set?
We’ll stick to the regular Molly playbook and try our best to win over the crowd and get everyone boogieing while still playing with sincerity.
You’re co-headlining OC Sound Fest with your good mates LOLA and Looch. How does it feel to be playing on this huge lineup of SA legends?
It’s gonna be one hell of a time for sure. We’re very chuffed to be playing this show with such good mates. The SA music scene is pretty bloody great and I think this lineup makes a good case for that.
What other bands are you keen to catch on the day?
TOWNHOUSE is a band we’re super keen to see again. We’ve seen them a few times now and they always outdo themselves. We have also heard Brad Chicken and the Bootstraps put on a very entertaining show, so we’re looking forward to that too!
The festival runs over the January long weekend, with bands and attendees camping alike. What shenanigans are you expecting from the weekend?
Lots of dirt probably. We’ve done a few rural camping-type shows and I personally always come home with dirt on my clothes - which means a successful weekend. There’s nothing better than running to and from the green room in an unfamiliar place, soaking up good company and free piss. Hopefully, we behave ourselves.
Why do you think regional music events like this are so important?
No matter where you are in the world, live music events can bring a community together, encourage the formation of bands and can cause more events like this to happen with good reception. This is especially important for rural towns because everybody deserves to have a go and have that release, no matter where you’re situated. Fund these things! Keep them alive.
You’ve announced your sophomore EP The Dogs Are Barking, set for an early 2026 release. What can you tell us about this record?
This is one that’s been in the works for longer than we wanted! It’s finally complete though, and definitely feels like a more refined body of work than our first EP Syrup.
You can expect some better songwriting in this one for sure, as well as some real deep cuts in there. It’s got that edge to it, whilst evoking that high and low journey like you’re watching a character moving through stages in their life. The good and bad and the ugly, perchance.
Molly Rocket plays OC Sound Fest at Overland Corner with 18 other SA acts on January 24. Tickets on sale now via trybooking.com.
Adelaide’s resident gonzo photographer and videographer, the one and only Spoz, stepped away from the camera to give us the lowdown on his five desert island albums, favourite song, Big Day Out memories and more.
Poison The Well guitarist Ryan Primack discusses their first new album in 17 years ahead of their first Australian tour since 2009.
Augie March vocalist and guitarist, Glenn Richards, discusses 20 years of Moo You Bloody Choir, playing it in full on their upcoming tour and how the music industry has devolved since 2006.
After eight years away, Airling returns in 2026 with new EP, Retrieve. Talking over Zoom, Hannah Shepherd opens up about making music, the realities of touring and her career as a nurse.
With new music out in the world, Fletcher Kent spoke with The Note about living in New York, the biggest lesson he’s learned as a musician and becoming mates with Lewis Capaldi.
Punk rock trio Sacrificial Larynx – also one of the best band names ever - are gearing up for the release of its debut album Model Citizen. We chatted with the group about the record and upcoming launch show.
New Zealand-based Māori musician, artist and biodiversity ranger opens up about how her day job intersects with her music career.
The Horrors’ frontman Faris Badwan on “learning the value of space” within song arrangements, covering Bowie and unearthing vibraphone for “the next record”.
Australian country music star Beccy Cole is celebrating the release of her ninth studio album, Through The Haze. Chatting with The Note over Zoom, Cole opens up about the end of her marriage, the influence of therapy on her music and the impact her son, Ricky Albeck, had on the record.
After getting Little Birdy back together for an anniversary tour in 2025, singer-songwriter Katy Steele is heading out solo this year. With a new EP on the horizon, Steele opened up to The Note about her upcoming release, living in New York during her twenties and juggling motherhood with a music career.
Embracing change has been key to the Adelaide superstar’s anticipated debut album.
Battle Beast’s new vocalist Marina la Torraca talks about joining the band and touring Australia for the very first time
Hailing in over from Victoria, The Belair Lip Bombs are one of Australia’s most talked about young indie rock acts. Hot off the heels of their sophomore album Again, we chat to drummer Daniel Devlin about influences, standout supports and their upcoming Aus tour.
The Note got the chance to chat with Malcolm Sutton, the local creator behind the production, about the inspiration behind his new show, working in London’s West End and the issues with Australia’s art scene.
Over 30 years since their last release, Aussie icons The Necks return in 2026 with Loose Vol II. The Note spoke with frontman Nick Barker about the release and his thoughts on the impact of the digital world on music.
Ahead of the release of William Crighton’s fourth record, Colonial Drift, the singer-songwriter spoke with The Note about working with the late Rob Hirst, writing music with his wife Julieanne and his connection to Australia.
Selling out its inaugural run at the Fringe last year, the Adele-themed musical theatre show Love Is A Game returns. Producer Oliver John chats all things Adele and what to expect.
The Director of Gluttony Daniel Michael talks about his favourite albums, SA track and musical moments.
The Note spoke with Arrested Development founding member Speech about the band’s early success, their continued activism and what got the group back together after a four-year hiatus.
Melbourne-based Brazilian artist Alicides Neto has just released his introspective debut album, Amú. Ahead of his first appearance at WOMADelaide, Neto spoke with The Note about his childhood, immigrating to Australia and performing at WOMAD.
New Found Glory drummer Cyrus Bolooki discusses recording their new album Listen Up! while Chad Gilbert went through chemotherapy, honorary member Amy Shark and returning to Australia.
Brisbane-based DJ Young Franco has transformed the act of bringing the party into a globe-trotting, award-nabbing career. Before his performance at Gluttony in the Adelaide Fringe, Young Franco swings by for a chat.
The Note had the amazingly good fortune of catching up with A Whilhelm Scream’s guitarist/co-lyricist/producer Trevor Reilly to discuss their new album, freezing film clips, their fiery upcoming Australian tour and so much more.
Ahead of her Adelaide Fringe debut at Gluttony’s Twenty Sixteen, Australian funk royalty Kylie Auldist steps into a milestone year. With new album Hybrid on the way, 2026 finds Auldist reflecting on legacy while embracing what’s next.
Adelaide Festival’s Contemporary Music Curator Thorsten Hertog discusses all things Tryp, the festival’s new eclectic music program taking place over the opening weekend.
Converge’s vocalist Jacob Bannon opened up to The Note about the band’s new album, Love Is Not Enough, how his life impacts his writing and writing with Chelsea Wolfe.
Whether 2011’s ‘It’s Nice to Be Alive’ was the track that first had you wrapped up in the wonderful world of Ball Park Music, or it was 2025’s ‘Please Don’t Move To Melbourne’ that first exposed you to the joys of the Brisbane based 5-piece, it’s undeniable that after 18 years, the band’s grasp on the Australian public has not dwindled – but sparked up.
Currently on tour with Radium Dolls, The Note was lucky enough to get some time with the band before they hit the road, with Loose Content opening up about their upcoming new EP, moving interstate and the story behind their latest single ‘Big Bright Burning Sun’.
Surf-rock quartet Even Hannah have burst out of the gates since their 2025 debut. Following their sold-out single launch, we chat to the band about their latest track, upcoming EP and set at Local Noise Fest.
UK indie-pop singer-songwriter Cavetown has built a global following on tender, introspective songwriting. Ahead of their debut performance in Adelaide at Laneway, they open up about dissociation, songwriting and growing up through their brand-new album Running With Scissors.