Will Ramos reflects on what has been a formative album cycle for the American deathcore favourites.

Sydney indie rock outfit Body Talk are gearing up for the release of their new album, Tally, which drops this month via Poison City Records. Ahead of the record hitting streaming services, band members Annabel Blackman and Cecil Coleman spoke with The Note about working with Warpaint’s Stella Mozgawa, being influenced by art and pursuing solo projects.

Funky 5-piece indie outfit Broken Waves are set to add to their extensive catalogue with new track ‘UNLUCKY!’. Ahead of their highly anticipated single launch, the band talks on new music and hints at the specialties and surprises instore for the gig.

Ahead of their Australian tour supporting Cradle of Filth this month, DevilDriver’s vocalist Dez Fafara opened up about their new record, essential rider items and what fans can expect from their live show.

Tropical Fuck Storm’s guitarist, keyboardist and vocalist Erica Dunn discusses the world we live in, juggling musical commitments and the soundscape of their latest LP.

Co-founder and Artistic Director of Unsound, Mat Schulz, answered a few questions addressing how Unsound came to be, why this year’s lineup has something for everyone and the most unsound thing on his playlist.

Local artist, producer and music mentor Will Everest talks about his favourite songs, number one album and favourite music-related memories.

Curated by Pretty Good Thanks’ Tayla Carlaw, SA’s premiere all-ages queer music event is hitting UniBar on June 27! Featuring arts markets, a drag queen MC and music from Jett Blyton, Oscar the Wild and more, Tayla talks us through it all.

SA’s Puberty Blues inspired four-piece PASH chat the magic of Adelaide’s East End, packing out a Laneway tent and track listing their brand-new self-titled EP, all while potting pool balls and chatting shit.

For the first time in 14 years, Ben Kweller is heading down under. Promoter Gareth Lewis talks musical influence, grief and radical optimism with the indie rock figurehead ahead of his Adelaide Beer & BBQ Festival performance

South Summit chat to The Note about their new record, working with  Marlon Gerbes (Six60) and the joys of touring Europe.

Five years on from their last record, The Jungle Giants’ Sam Hales has been through it and lived to write the album of his career. The Note catches up with the Brisbane frontman to talk heartbreak, The Artist’s Way, and experiencing feelings of joy.

Ahead of August Burns Red’s upcoming Australian tour, The Note caught up with drummer Matt Greiner to discuss Australia, their latest full-length, salsa-core and so much more.

To blanket label this 5-piece would be a mistake. This expansive poetic-art-folk-alt-rock-honky-tonk project feels like a steady hand on the back, lesson in history and first love all at once, with their debut album The Modern Show is Ruining The Foot.

Bush’s iconic frontman Gavin Rossdale discusses the band’s upcoming Australian tour with Shinedown, their unique setlists and why he thinks certain bands are having a resurgence. 

Ahead of their support slot on The Jungle Giants’ upcoming tour, Tear Drive’s Gabe Kolakowski opened up to The Note about the band’s new EP, musical inspirations and the Brisbane music scene.

After breaking up five years ago, The Pretty Littles have risen from the ashes like the phoenix, thanks to frontman and guitarist Jack Parsons. Gearing up for the release of their second album in as many years, Parsons opens up about why he resurrected the band, working with Greg Rietwyk and performing in Adelaide.

The Note spoke with one of the venue’s key programmers, Greg Naulty, about the history of the Workers Club, its role in the community and what to expect from this weekend’s event.

The Note’s new account manager and member of local bands TOWNHOUSE and The Hazys fills us in on his fav tracks, albums and music moments.

London-based Australian creative Baylie Carson is heading to the City of Churches as part of this year’s Adelaide Cabaret Festival with their new show, Baylie Carson is Handsome(ish). Talking to The Note over Zoom, Carson opens up about the struggles of being an artist, their new show and their thoughts on returning to Adelaide.

We chat with acclaimed American keyboardist, flautist, composer, singer and producer Brian Jackson about the world premiere of his new production, Gil Scott-Heron with Yasiin Bey, the relevance of this work today and his hopes for the future.

Emerging singer-songwriter Anna Jeavons has dropped her debut album Anomie. Ahead of the album launch at Nexus Arts, we chatted with Jeavons about the Anomie, working with producer Benjamin Stewart and what fans can expect from her live show.

Ahead of the release of their new album Midnight Mavericks, Kingswood discuss not being immediately welcomed with open arms into country music, the frustrations of having to create viral content and the love for their tour bus Peggy. 

Genre-bending creative Genesis Owusu returns with his new album, REDSTAR WU & THE WORLDWIDE SCOURGE. Speaking with The Note ahead of its release, he explains why all music is political, reconnecting with his Ghanaian roots and how growing up in Canberra shaped his musical journey.

Ahead of their Australian return, Rory Clewlow and Chris Batten discuss Enter Shikari’s surprise album drop; one of the band’s strongest releases to date.

Felicity Urquhart and Josh Cunningham chat about their new album, writing together and the importance of playing regional shows.

Singer-songwriter Matt Corby has come a long way since appearing on Australian Idol. Four albums deep into a career spanning almost two decades, Corby discusses his new release Tragic Magic, working as a producer and how being a father has changed his outlook on music.

After a seven-year hiatus, indie rock outfit Letters To Lions made a surprise return in 2024. Refuelled and refocused, The Note chatted to singer and guitarist Adam Newling about the band’s reunion, new single ‘Easy Honey’ and what the future has in store for Letters To Loins.

15 years into her career, singer, guitarist and songwriter Kathleen Halloran’s long-overdue debut album is here. Nobody’s Baby is an emotional snapshot of her journey, with Halloran telling her story across 10 guitar-driven tracks. Opening up to The Note, Halloran spoke about the creation of her debut, the difficulties she’s faced and her joy of playing live.

Northern Irish indie rockers Two Door Cinema Club’s debut album Tourist History turns 15 this year. Taking the album on tour across Australia this November, bassist Kevin Baird spoke with The Note about the making of Tourist History, his relationship with the record today and touring with The Vaccines.