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REVIEW: HEAPS GOOD MELBOURNE

Melbourne’s Sidney Meyer Music Bowl ushered in the new year with a stellar lineup. Featuring Foals and Flume as big standouts, we’re giving you a taster of what to expect for Heaps Good Adelaide.

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REVIEW: THE BRIAN JONESTOWN MASSACRE @ THE GOV

The best and worst of Anton Newcombe and his not-so-merry band of psychedelic rockers was on display at the Governor Hindmarsh, as The Brian Jonestown Massacre delivered a rambling experience that was as frustrating as it was electrifying.

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Gigs Alex Edwards Gigs Alex Edwards

REVIEW: THE MILK CARTON KIDS @ HER MAJESTY’s THEATRE

A capacity crowd at Her Majesty’s Theatre for The Milk Carton Kids is treated to a rather bizarre greeting of the Grammy-nominated duo when Joey Ryan, one half of the headline act, walks onto the stage, approaches the only microphone present and introduces the show. Sort of. What follows is a five-minute comedy routine that acts as an ‘icebreaker’.

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REVIEW: VINTAGE VIBES FESTIVAL

Across two days, punters filled Tomich Wines for a vino-fuelled party with some of Australia’s hottest acts. Despite the autumn Adelaide Hills air feeling extra-chilly, the dance floor could be counted on to heat things up.

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Gigs Alex Edwards Gigs Alex Edwards

REVIEW: WOMADELAIDE @ THE MUSIC WRITER’S LAB

The Music Writer’s Lab is a place for new writers to hone their skills. It’s an initiative of MUSICSA and MUSICNT and supported by the Government of South Australia and Australia Council for the Arts. The Note invited three music lab writers to contribute reviews of our favourite world music event...

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Gigs Alex Edwards Gigs Alex Edwards

Review: Pavement @ Thebarton Theatre

A touch over 30 years since their first album Slanted and Enchanted became one of the most influential debuts of the ‘90s, Pavement’s return to Thebarton Theatre was a joyful reminder why they remain the standard bearer of American indie.

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