Los Palms
SA’s ‘desert jangle’ five-piece, Los Palms, are gearing up to play a huge set at the inaugural Notestock. Here, guitarist/vocalist Ant Candlish chats about their Spaghetti Western influence, label deals and new music

We’re stoked to have you playing Notestock! For those who haven’t seen a Los Palms set before, what are audiences in for?
We’re stoked to be part of it! After our shows, the name ‘Tarantino’ is brought up by folks all the damned time. I really dig the idea of combining film and art with our music, so if we can give an audience an experience through the memory of film, then that’s wild! If anyone reading this knows QT or Mary Ramos, hit us up!
Your music is known for its ‘desert jangle’ vibes. How does that influence your sound direction?
It grabbed me when I spent some time with my partner- in-crime in Almeria and Tabernas Desert in Spain, where they shot a heap of Spaghetti Westerns in the ’60s and ’70s. After that, I was excited to get back to Adelaide and get myself and guitarist Sam [Arthurson] into the studio. I have always [loved] Sergio Leone’s films and music. So, I wanted to create that dirty, janglin’, spine tinglin’, sweat on the brow, dead man’s boots thing with hints of ’60s and modern psychedelia.
You signed with Fuzz Club in 2022. Tell us more about what this means for you as a band.
You know in Kill Bill: Volume 2, when The Bride is buried underground and she punches her way out through the coffin? We are The Bride, the coffin is Adelaide, Fuzz Club is the Bride’s fist and the graveyard is the world. But now, we gotta kill Bill... We’re thrilled to have been picked up by such an incredible label – Fuzz Club are the bee’s knees of today’s psych, fuzz, shoegaze, jangle and blues genre.
What’s next for Los Palms?
We have a few shows to announce, but we try not to overplay in Adelaide. It’s good to make every show special. [It] also gives us the time to test out new material. Right now, we’re back in the studio, writing and recording our second record. But next, we wanna head overseas. So yeah, watch this space...
See Los Palms play alongside Beddy Rays, The Beefs, Molly Rocket, Druid Fluids and more at Notestock this November 4.
The next month will see Alexander Flood play Renew Adelaide’s Westbound festival, launch an album and play interstate. There’s no rest for this multi-hyphenate, genre-blind music sensation.
Ahead of The Presets’ exclusive DJ set at Gluttony for Adelaide Fringe, Julian Hamilton – one-half of the multi-award-winning Sydney outfit – lets loose about their craziest shows, cracking Adelaide’s music scene and what country has the best salt and vinegar chips.
Norman Cook has come a long way.
One of Australia’s great singer-songwriters, Peter Bibby is celebrating the 10th anniversary of his classic debut album, Butcher / Hairstylist / Beautician, with an Australian tour. Ahead of his Adelaide show at the Cranker, Bibby waxed lyrical about the record, the tour and his views on how music is consumed.
Rum Jungle Vocalist Benny McIntyre tells all on the stories and sounds that make this record your next must-listen
Performing at WOMADeliade this weekend as part of her Australian tour, Bess Atwell chats about her creative process, relationship with honesty and performing in Australia.
Ahead of their debut at WOMADelaide, Grammy-winning trio Digable Planets reflect on their seminal second album Blowout Comb – a jazz-informed, hip hop record that remains a raw and unfiltered portrait of America’s socio-political landscape 30 years later.
Get to know Gernz: a punk-fuelled, Aus-rock band born from Mount Gambier’s DIY scene. They lift the lid on why their hometown is emerging as music’s must-visit destination…
Ahead of supporting Alestorm and playing at Pirate Life Brewing’s 10th birthday, we chatted with Stabbitha and the Knifey Wifeys about the Adelaide music scene, the creative process and what 2025 holds for the band.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Emerging alt act Sunsick Daisy are an unstoppable force in Adelaide’s music scene. They take their genre-defying sound to community-driven punk fest, Nice Day To Go To The Club, this month...
Ahead of Magic Dirt’s appearance at the nostalgia-filled Lookout Festival, we talked with frontwoman Adalita about the power of music, dealing with grief and doing her bit to save the planet.
We got the chance to chat with Kelly’s Wayke lead vocalist and bodhrán player Damien Kelly about the band’s beginnings, recent success and future plans.
Ahead of LÂLKA’s Adelaide gig at Nexus Art Venue, we chatted with the emerging producer about her inspirations, relationship with technology and upcoming performance.
The trip-hop/alt-electronic vocalist and producer is at The Lab this month to launch her debut album, A Pastoral – a love letter to the wild, sprawling land of Peramangk country. Here’s what to expect…
The Note caught up with SHIHAD bassist Karl Kippenberger to discuss the band’s lifework, including their remarkable discography, milestones overseas and disharmony with a famed musician and producer.
Ahead of their Laneway Festival appearance at Adelaide’s Bonython Park/Kaurna Yerta, we caught up with electronic duo PINES and got the lowdown on Laneway, touring America and their upcoming SUN EP.
Alt-pop-folk artist Naomi Keyte shares the journey to releasing her latest LP and what to expect from its launch show.
First Nations pop-psych wunderkind Sycco welcomes The Note into her Zorb to wax lyrical about sharehouses, self-production and the power of friendship.
Tkay Maidza is one of the most exciting voices in hip-hop worldwide and she just so happens to have cut her teeth in Adelaide…
Ahead of his Aussie tour, we chat with Still Woozy about his most recent album, being a family man and what to expect on his upcoming tour.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
What to expect from Maisie B.’s new EP The Nothing But The Sun and its Wheaty launch show.
TONIX’s Archie McEwan and Pash’s Nic Bergoc unpack what to expect from their Sunny Soundsystem regional tour.
Setting the tone for 2025, Housing Boom is back with a bang. Here, co-founder Dave Kameniar chats club music, culture and community ahead of the January 11 event.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
In between selling out shows worldwide, Amyl And The Sniffers squeezed in time to chat Trump's diet, tall poppies and their punchy third album, Cartoon Darkness.
Celebrating ten years of pop-ups this weekend at The Wheaty, we chat with Crackle & Pop Records owner Adam about the business and what the future holds.
Ahead of HammerFall’s debut Australian tour, vocalist Joacim Cans opens about their new LP, prioritising hope and the demands of the creative process
Almost Human frontman Damien Kelly chats about the band’s history, playing with The Superjesus’ Chris Tennent and the need for live music venues like the Woodshed.

I’m Alex Edwards - a Squarespace web designer and the owner of Edwards Design. I make it easy for service-based businesses to get modern, user-friendly Squarespace websites that connect with their ideal clients so they can grow.