Green Room: Thunder Speaks
High energy, dance beats and weird noises are three things Thunder Speaks says you can expect from their album launch at Grace Emily Hotel. Azz from the twin-bass and synth-heavy band tells us more...

Image by @davison.29
Congratulations on the release of your debut album! First Dance builds on the complex, genre-bending soundscape from your previous singles. What is the concept behind this record?
We began working on this album while trying to figure out who we wanted to be [as a band].
To be happy and to do something different than our previous outfits were our main priorities. We didn’t want to spend ages jamming and have no songs released, so we just started writing. First Dance was the final product. John and I would write as much as we could in the jam room, then take them to Jim Balderstone (X studio). He was a huge help sonically – he really taught us so much.
Then Ant came in as a second bass halfway through the recording and change[d] everything for the better.
Our drummer John and I come from years of listening to and playing prog rock – we wanted to keep the danger of the genre we liked (like no restrictions on length, weird changes) but then take it somewhere else. John has also been getting to dance music, and that’s poured into his drumming. I love ’90s dance music, like Chemical Brothers and Underworld, so I was happy to facilitate this. In the end, I guess the concept was to create something weird we could get lost in and dance to!
A debut album is a big deal. What did you learn as a band from this experience?
We are all very close and honest with each other, so if [someone] is not on board with an idea, then it doesn’t stick around. After years of playing in bands, we’ve learnt that to stay happy and excited, we needed to write songs for ourselves. I’m stoked when anyone outside the band enjoys the tunes. But when everyone in the band is stoked with the song and believes it’s the best we can do, that’s what I live for.
Thunder Speaks is a unique outfit with a twin bass and powerful synth. What’s the backstory of the band?
The band has become one big journey of exploration for everyone.
John and I played together in other bands and initially wanted to start a two-piece so we could work fast and cheaply by having fewer people. But it soon became clear we needed someone else once we played the songs live.
I don’t play the guitar very well, so when I wrote the rhythm guitar or lead parts in the studio, I would play them up higher on a bass and layer them as a reference for another instrument later. We ended up enjoying that sound so much that it was obvious that we needed another bass. Plus, we’ve always wanted to play with Ant… he has great feel and is a legend.
You’ve ticked off most genres through the supports you’ve invited to play: Davison, Street Legal, Georgia Oatley, Jongo Bones & The Barefoot Bandits, and Lucky Strike. How did you curate the bill?
We tried it out at our single launch in January and it was a real good time. It’s a different genre every half hour. This time, [we will] be going from punk to lo-fi electronica, then moving to indie rock, hard techno and dance rock. The bill is a mix of some of our friends and bands we’ve been hanging to see. I recently saw Georgia Oatley perform in The Bait Fridge at The Lab, so I can’t wait to see her solo show!
The Grace Emily Hotel is a beloved venue and one you’ve played regularly. Why was it the spot for your album launch?
We wanted to host an epic show in a venue we think we can fill – we are still a small band. The Grace is nice and cosy, they let us do our thing, the PA is great, and Steve the sound guy is amazing. It makes just sense.
For those who haven’t caught Thunder Speaks before, what should people expect from your show?
High energy. Dance beats. Weird noises. Two bass guitars. And a guy shouting into a microphone that sounds like he’s in the bottom of a tunnel!
What’s next for Thunder Speaks?
We’ll be releasing more live footage over the next few months. Our mate, Hand to Sky (Nick Nancarrow from OKO), has been working his magic to make it all look very fried. The First Dance remix album will be released mid-year, too. We’ve already released a few remixes from Davison, plus more coming. It’s fun to see where your friends take the album!
See Thunder Speaks at Grace Emily Hotel this Saturday April 13, supported by Davison, Street Legal, Georgia Oatley, Jongo Bones & The Barefoot Bandits, and Lucky Strike. Grab tickets via Humantix.
Old Mervs are coasting into shore in tow with their hotly anticipated self-titled album. The two-piece tell all on what it takes to build a genre-blind debut LP
Ahead of Josh Pyke’s concert alongside the ASO this April, the Sydney native waxes lyrical about his “watershed” record and wrangling an orchestra.
Heading Down Under to celebrate the 20th anniversary of his debut album, Sings Walkin' And Talkin' And Other Smash Hits!, Eli “Paperboy Reed” chatted with The Note about punk music, Motörhead and Merle Haggard.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Ahead of their album launch at The Gov this weekend, we chatted with Paul Lewis, drummer for local thrash metal trio Hidden Intent, about their new album Terrorform, performing at Froth & Fury Fest and what to expect from their album launch.
The next month will see Alexander Flood play Renew Adelaide’s Westbound festival, launch an album and play interstate. There’s no rest for this multi-hyphenate, genre-blind music sensation.
Ahead of The Presets’ exclusive DJ set at Gluttony for Adelaide Fringe, Julian Hamilton – one-half of the multi-award-winning Sydney outfit – lets loose about their craziest shows, cracking Adelaide’s music scene and what country has the best salt and vinegar chips.
ARIA award-winning singer-songwriter Emily Wurramara is taking her record of rebirth to WOMADelaide, ready to inspire audiences with its authentic messages of self-compassion and resilience.
One of Australia’s great singer-songwriters, Peter Bibby is celebrating the 10th anniversary of his classic debut album, Butcher / Hairstylist / Beautician, with an Australian tour. Ahead of his Adelaide show at the Cranker, Bibby waxed lyrical about the record, the tour and his views on how music is consumed.
Rum Jungle Vocalist Benny McIntyre tells all on the stories and sounds that make this record your next must-listen
Performing at WOMADeliade this weekend as part of her Australian tour, Bess Atwell chats about her creative process, relationship with honesty and performing in Australia.
Ahead of their debut at WOMADelaide, Grammy-winning trio Digable Planets reflect on their seminal second album Blowout Comb – a jazz-informed, hip hop record that remains a raw and unfiltered portrait of America’s socio-political landscape 30 years later.
Get to know Gernz: a punk-fuelled, Aus-rock band born from Mount Gambier’s DIY scene. They lift the lid on why their hometown is emerging as music’s must-visit destination…
Ahead of supporting Alestorm and playing at Pirate Life Brewing’s 10th birthday, we chatted with Stabbitha and the Knifey Wifeys about the Adelaide music scene, the creative process and what 2025 holds for the band.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Emerging alt act Sunsick Daisy are an unstoppable force in Adelaide’s music scene. They take their genre-defying sound to community-driven punk fest, Nice Day To Go To The Club, this month...
Ahead of Magic Dirt’s appearance at the nostalgia-filled Lookout Festival, we talked with frontwoman Adalita about the power of music, dealing with grief and doing her bit to save the planet.
We got the chance to chat with Kelly’s Wayke lead vocalist and bodhrán player Damien Kelly about the band’s beginnings, recent success and future plans.
Ahead of LÂLKA’s Adelaide gig at Nexus Art Venue, we chatted with the emerging producer about her inspirations, relationship with technology and upcoming performance.
The trip-hop/alt-electronic vocalist and producer is at The Lab this month to launch her debut album, A Pastoral – a love letter to the wild, sprawling land of Peramangk country. Here’s what to expect…
The Note caught up with SHIHAD bassist Karl Kippenberger to discuss the band’s lifework, including their remarkable discography, milestones overseas and disharmony with a famed musician and producer.
Ahead of their Laneway Festival appearance at Adelaide’s Bonython Park/Kaurna Yerta, we caught up with electronic duo PINES and got the lowdown on Laneway, touring America and their upcoming SUN EP.
Alt-pop-folk artist Naomi Keyte shares the journey to releasing her latest LP and what to expect from its launch show.
First Nations pop-psych wunderkind Sycco welcomes The Note into her Zorb to wax lyrical about sharehouses, self-production and the power of friendship.
Tkay Maidza is one of the most exciting voices in hip-hop worldwide and she just so happens to have cut her teeth in Adelaide…
Ahead of his Aussie tour, we chat with Still Woozy about his most recent album, being a family man and what to expect on his upcoming tour.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
What to expect from Maisie B.’s new EP The Nothing But The Sun and its Wheaty launch show.
TONIX’s Archie McEwan and Pash’s Nic Bergoc unpack what to expect from their Sunny Soundsystem regional tour.