In the Green Room: Jen Cloher
Fresh from the release of their fifth studio album, Jen Cloher chats music-making, finding yourself and what to expect from their upcoming show at Lion Arts Factory...
Congratulations on your new album, I Am The River, The River Is Me. How was making this record?
It was a long process. I was initially going to make the album in Aotearoa/New Zealand. But I ended up recording it [in Naarm] between lockdowns and sending files to friends I hoped would play on the album in Tāmaki Makaurau/Auckland. It took two years. But it was great. I had so many collaborators come on board – 24 different [individuals] contributed to the record!
You’re performing at Lion Arts Factory in May. How do you think the new material will translate to the stage?
My whole life has been making records and then touring them, so I’m always thinking about how [songs] will translate to a stage. Even though it’s quite a big record in terms of arrangements – there’s horns and choirs – the actual body of each song needs to always work with just an acoustic guitar. That’s the litmus test: if you can’t play it solo in a room, it probably [won’t] translate to a bigger stage.
On the record, you reckon with different aspects of your identity, particularly your Māori heritage. What was the catalyst to build an album around this concept?
I’ve always been really proud to be Māori. Over lockdown, I started to learn Te Ao Māori, and when I was writing songs, words started to creep into the lyrics. For me, this album is a real homecoming. It’s an acknowledgement of the incredible Māori women I come [from]. It wasn’t something I planned. It was unexpected, and as a result, it took me on a really interesting journey.
Has making this record helped you understand yourself and your place in the world a little better?
Absolutely. That’s what life is, isn’t it? Finding out who you are. We do it in all sorts of ways: we have relationships, jobs and kids, we travel, and we take part in things that we’re interested in to evolve and discover. For me, it’s an ongoing lifetime journey of being in my culture and pursuing my cultural language, but I think it’s helped me feel more myself.
May 20 | Lion Arts Factory
Ahead of Spellmans’ Social’s third birthday celebrations, we chat with owner Ryan Spellman about how the business got started, community support and what to expect from ReggaeFest Vol. 2.
Celebrating 20 years of championing Australia’s alt-country, blues and roots scene, the Semaphore Music Festival returns this October long weekend. Event organiser Deb Thorsen reveals what’s in store…
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Confidence Man are back and sexier than ever with their bold, beat-driven third album, 3AM (LA LA LA). The only question is, are you ready to rave?
Fresh from their first single for 2024, The Tullamarines are making waves around Australia with their headline ‘Loser’ tour. We hear what the local legends have in store for their hometown gig…
Tony Hawk’s Pro Skater 3 soundtrack helped launch the career of some of the biggest bands in the alternative music scene – including CKY. But it takes talent to stay at the top. As the band celebrates 25 years, drummer Jess Margera reflects on the fallouts and fortunes that led them to today.
Music has always been a vehicle for change. And for UK-based, political folk powerhouse Grace Petrie, her anger towards the systems that inflict pain on the world is at its most powerful in song. But there’s hope for the future, too. Here, the artist unpacks her Australian tour and how her latest album inspires us to Build Something Better.
Premier Peter Malinauskas unpacks what the new legislation means for the Crown & Anchor, how he’s protecting future live music venues and the challenges facing the industry right now.
Wanderers frontman Dusty Lee Stephensen and guitar-playing sensation Lucas Day sit down for an honest chat about music making, being a frontperson and what to expect from their Adelaide Guitar Festival shows.
The five-piece play the Crown & Anchor Hotel this September 5.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
A three-hour vinyl set from Berlin-based DJ Mary Yuzovskaya is what local techno collective Subvert is gifting the Adelaide scene this month. Here’s what to expect.
In the last three years, Allday has moved to London, worked at an Italian olive farm and found his way back to his musical roots – being a rapper. It’s this journey the Adelaide-born artist immortalises on his brilliant, beat-heavy fifth album, The Necklace.
As the Spiderbait prepares for their 20th anniversary ‘Black Betty’ tour, drummer/vocalist Kram reflects on the madness of the last two decades.
Homegrown star George Alice is playing Flinders Open Days in a free, open-air concert to celebrate the new city campus on August 11.