In the Green Room: Soul II Soul
Soul II Soul has been a music mainstay for the last three decades, gifting us some of the biggest R&B tracks in the late ‘80s and ‘90s. Dialling in from London, Jazzie B OBE from the Grammy-award-winning collective gives us the low-down on their WOMAD set.
You’re playing your first Australian WOMAD this March! What drew you to playing at the festival?
We’ve got a few [international] WOMADs under our belt... it’s a very good festival. What an interesting way to come to Australia via a festival. The last time Soul II Soul played in Adelaide was in 2012!
What can we expect from Soul II Soul’s WOMAD set?
I think a happy face, a thumpin’ bass, for a lovin’ race. One of the reasons why we naturally enjoy that whole scene is because Soul II Soul has always been about being positive.
What’s the difference between playing to a festival crowd and a stadium audience?
[A festival] is quite an eclectic scenario. You rub shoulders with people you wouldn’t ordinarily meet up with. And from a musician’s standpoint, you get to meet other musicians and that community gets more enriched. I very much enjoy [a festival], especially a good one like WOMAD.
You’re heading off on an Aussie tour for a 30th-anniversary celebration of Club Classics: Volume One. Why do you think Soul II Soul’s music has remained so timeless?
That’s why we called [the album] Club Classics! It was the whole challenge in the beginning. The fact that in 2023 we’re still enjoying it is an absolute pleasure. For lack of a better term, we hit the nail on the head with what we were trying to achieve. We’re blessed to be considered timeless
Alt-pop-folk artist Naomi Keyte shares the journey to releasing her latest LP and what to expect from its launch show.
First Nations pop-psych wunderkind Sycco welcomes The Note into her Zorb to wax lyrical about sharehouses, self-production and the power of friendship.
Ahead of his Aussie tour, we chat with Still Woozy about his most recent album, being a family man and what to expect on his upcoming tour.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
What to expect from Maisie B.’s new EP The Nothing But The Sun and its Wheaty launch show.
TONIX’s Archie McEwan and Pash’s Nic Bergoc unpack what to expect from their Sunny Soundsystem regional tour.
Setting the tone for 2025, Housing Boom is back with a bang. Here, co-founder Dave Kameniar chats club music, culture and community ahead of the January 11 event.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
In between selling out shows worldwide, Amyl And The Sniffers squeezed in time to chat Trump's diet, tall poppies and their punchy third album, Cartoon Darkness.
Celebrating ten years of pop-ups this weekend at The Wheaty, we chat with Crackle & Pop Records owner Adam about the business and what the future holds.
Ahead of HammerFall’s debut Australian tour, vocalist Joacim Cans opens about their new LP, prioritising hope and the demands of the creative process
Almost Human frontman Damien Kelly chats about the band’s history, playing with The Superjesus’ Chris Tennent and the need for live music venues like the Woodshed.
Ahead of Superchunk’s hotly anticipated Australian tour, we asked guitarist Jim Wilbur to name his five favourite Aussie bands.
Twine’s Tom Katsaras opens up about the pursuit for contrast, songwriting’s emotional core and finding confidence as the alt-country/noise-rock band drops their debut album, New Old Horse.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Ahead of her A Day On The Green tour, the 2024 ARIA Hall of Fame inductee unpacks her introspective sixth album, her thoughts on truth telling and finding hope in her second chapter.
Musician, journalist and playwright Malcolm Sutton returns with his latest book, Twitchers.
Singer-songwriter Jess Day uses her voice for those who can’t, translating the turbulence of our 20s into songs on her rock-ready debut album, A Garden of Small Disappointments. Here, she explains why
Tulampanga Pakana MC and storyteller RULLA sits down for a conversation about the power of truth telling, playing Notestock and what to expect from his debut LP
On the cusp of releasing their debut album, Aston Valladares from pop-punk two-piece TOWNS tells all on the moments that make their sentimental slowdown LP a must listen.
The Tullamarines sound is stamped with a happy-go-lucky attitude that makes you groove. Here, the indie- pop-rockers open up about life on the road, Notestock and what’s next
Chaotic and confident, LOLA are bringing their brand of brash punk rock to Froth & Fury Fest. Here, the four- piece chat new music, what’s next and why friendship trumps all
Elsy Wameyo is a disrupter. Dialling in from Kenya, the multi-award-winning star waxes lyrical about self-discovery, the importance of Northern Sound System and what to expect at AdeLOUD
Having just released their stellar debut album The Line, we chat with Indiago frontman Will Solomon about what went into making the record.
Adelaide-based artists Venus, Louis Campbell, and Luka Kilgariff on the highs and lows of interstate touring.
We speak with folk band Eyrie — Adelaide’s pre-eminent storytellers — on the way South Australia doesn’t always give arts its dues.
Fresh from releasing her debut EP Who Are You When You’re Not Performing?, aleksiah is embarking on a national tour next month. We chat with her about hometown shows and building connections interstate...
Ahead of the film’s Adelaide premiere at the Adelaide Film Festival next week, we chatted with Pavement’s guitarist and vocalist Scott Kannberg about the movie, TikTok fame and what’s next for the band.
Teen Jesus and The Jean Teasers guitarist Scarlett McKahey chats about the Canberra circuit, representation and what’s next.
Coldwave about life on the road, new music and their forthcoming headline show at Jive on October 25.