Get To Know General Admission Entertainment
Reinventing UniBar, driving the Adelaide Beer & BBQ Festival and hanging out backstage at Coachella – Gareth Lewis and Aaron Sandow’s careers have never been less than exciting…
According to Gareth Lewis, he and his business partner Aaron Sandow got their start in the music industry by accident.
It was 2007. Gareth ran the now-defunct Marble Bar on Waymouth Street and he wanted to host some of Parklife Festival’s headline acts in the car lot across from the venue. Instead, the event organisers, Fuzzy Entertainment, took a punt on the pair and asked the mid-twenties mates to have a go at running one of Australia’s biggest dance music festivals.
“[It was] a total fluke,” says Gareth. “I wanted to get into festivals because I liked going to them and it was a good way of getting free tickets!”
For the two Commerce degree dropouts, diving head-first into the festival industry paid off, or as Gareth has it, “It sort of snowballed…” Today, they are the brains behind General Admission Entertainment, co-founders of Adelaide Beer & BBQ Festival and co-owners of UniBar Adelaide. In addition, Gareth is a Program Manager at MusicSA, while Aaron freelances as an event and site manager for major touring shows like Ed Sheeran and U2.
The first five years of General Admission Entertainment saw the company become SA’s go-to festival organiser. They ran the SA leg of hardcore, metal and rock festival, Soundwave, from 2008 to 2015, hosting heavyweight acts like Green Day, the Smashing Pumpkins and Nine Inch Nails. The 2013 line-up of the event, featuring Metallica, Paramore, Linkin Park and Blink-182, saw more than 45,000 punters flock to Bonython Park.
Despite being green in the festival world, the pair saw rapid success. “I have a [bank statement] in my office from the first time we turned over a million bucks on a bar,” Gareth says. “For 24 hours, we were millionaires. It was a total whirlwind.”
In between events, the pair would fly to interstate shows and overseas festivals like Coachella and Lollapalooza, learning the industry ropes by being amongst the action. “You don’t watch much music when you’re working festivals,” Gareth says. “Apart from work, a highlight [would] be being backstage at Coachella, drinking Jack White’s rider while he was on stage.”
But the pair also witnessed the rise and fall of Australia’s biggest touring festivals like Big Day Out, Parklife and Soundwave. “You have to evolve with the industry,” says Aaron, “knowing a lot of these [events] have a somewhat limited shelf life. It could all dry up at some point.”
In part, this inspired the duo and Marc Huber (of Mismatch Brewing) to launch the Adelaide Beer & BBQ Festival in 2015. In seven years, it’s quickly become one of the most anticipated music, food and booze events in Adelaide’s calendar.
This year’s programming includes five stages, an extensive barbeque contingent, more than 50 musicians (including Dune Rats and The Living End), hundreds of brewers and a special collaboration with Ukrainian brewery, 2085 Brewery.
In 2019, the pair pivoted again and re-opened UniBar Adelaide with the goal to re-establish the bar as a legacy venue. “I spent too much time in the UniBar to finish my degree,” Gareth says. “We both wanted to get into the live venue space. I was keen to get into the booking space. It was a good opportunity.”
In spite of their timing, the due came out relatively unscathed from the pandemic. Gareth says the venue booked more shows than any other place in South Australia, re-opening after the initial lockdown in late July. It also helped them host many first-time gigs for up- and-coming bands. A particular favourite is The 745, a mid-coast surf-rock quartet who often play a song about getting kicked out of the UniBar for underage drinking.
“I’m proud it’s the first experience for lots of people,” says Gareth. “You know, 17 or 18-year-old kids probably see their first show at UniBar – I know I did. I think we fill a pretty vital role.”
“The grassroots level is how you build an industry,” Aaron adds. “The talent coming through [Adelaide] is incredible. There’s a real camaraderie in our scene because we’re all tighting the good fight. We all move together.”
Keep up to date with everything going on at General Admission Entertainment here.
Alt-pop-folk artist Naomi Keyte shares the journey to releasing her latest LP and what to expect from its launch show.
First Nations pop-psych wunderkind Sycco welcomes The Note into her Zorb to wax lyrical about sharehouses, self-production and the power of friendship.
Ahead of his Aussie tour, we chat with Still Woozy about his most recent album, being a family man and what to expect on his upcoming tour.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
What to expect from Maisie B.’s new EP The Nothing But The Sun and its Wheaty launch show.
TONIX’s Archie McEwan and Pash’s Nic Bergoc unpack what to expect from their Sunny Soundsystem regional tour.
Setting the tone for 2025, Housing Boom is back with a bang. Here, co-founder Dave Kameniar chats club music, culture and community ahead of the January 11 event.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
In between selling out shows worldwide, Amyl And The Sniffers squeezed in time to chat Trump's diet, tall poppies and their punchy third album, Cartoon Darkness.
Celebrating ten years of pop-ups this weekend at The Wheaty, we chat with Crackle & Pop Records owner Adam about the business and what the future holds.
Ahead of HammerFall’s debut Australian tour, vocalist Joacim Cans opens about their new LP, prioritising hope and the demands of the creative process
Almost Human frontman Damien Kelly chats about the band’s history, playing with The Superjesus’ Chris Tennent and the need for live music venues like the Woodshed.
Ahead of Superchunk’s hotly anticipated Australian tour, we asked guitarist Jim Wilbur to name his five favourite Aussie bands.
Twine’s Tom Katsaras opens up about the pursuit for contrast, songwriting’s emotional core and finding confidence as the alt-country/noise-rock band drops their debut album, New Old Horse.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Ahead of her A Day On The Green tour, the 2024 ARIA Hall of Fame inductee unpacks her introspective sixth album, her thoughts on truth telling and finding hope in her second chapter.
Musician, journalist and playwright Malcolm Sutton returns with his latest book, Twitchers.
Singer-songwriter Jess Day uses her voice for those who can’t, translating the turbulence of our 20s into songs on her rock-ready debut album, A Garden of Small Disappointments. Here, she explains why
Tulampanga Pakana MC and storyteller RULLA sits down for a conversation about the power of truth telling, playing Notestock and what to expect from his debut LP
On the cusp of releasing their debut album, Aston Valladares from pop-punk two-piece TOWNS tells all on the moments that make their sentimental slowdown LP a must listen.
The Tullamarines sound is stamped with a happy-go-lucky attitude that makes you groove. Here, the indie- pop-rockers open up about life on the road, Notestock and what’s next
Chaotic and confident, LOLA are bringing their brand of brash punk rock to Froth & Fury Fest. Here, the four- piece chat new music, what’s next and why friendship trumps all
Elsy Wameyo is a disrupter. Dialling in from Kenya, the multi-award-winning star waxes lyrical about self-discovery, the importance of Northern Sound System and what to expect at AdeLOUD
Having just released their stellar debut album The Line, we chat with Indiago frontman Will Solomon about what went into making the record.
Adelaide-based artists Venus, Louis Campbell, and Luka Kilgariff on the highs and lows of interstate touring.
We speak with folk band Eyrie — Adelaide’s pre-eminent storytellers — on the way South Australia doesn’t always give arts its dues.
Fresh from releasing her debut EP Who Are You When You’re Not Performing?, aleksiah is embarking on a national tour next month. We chat with her about hometown shows and building connections interstate...
Ahead of the film’s Adelaide premiere at the Adelaide Film Festival next week, we chatted with Pavement’s guitarist and vocalist Scott Kannberg about the movie, TikTok fame and what’s next for the band.
Teen Jesus and The Jean Teasers guitarist Scarlett McKahey chats about the Canberra circuit, representation and what’s next.
Coldwave about life on the road, new music and their forthcoming headline show at Jive on October 25.