In the Green Room: No News
Adelaide electronic jazz fusion No News are supporting Melbourne quartet Big Yawn at The Lab next month. Here, we get to know the tight-knit three-piece a little better...
We’re stoked you're supporting Big Yawn at The Lab this July. What should we expect from your set?
We’re so excited to be supporting such a huge influence of ours and our sound. We’ve followed Big Yawn since they released their EP Pressure Acts in 2021 (fanboys). Expect new music, giddy energy and a visual love for what we do together live. Our set is a revolving door of new tracks we find jamming and the personal favs we keep circling back to. We’re always eager to keep each other and our audience guessing, dipping into new realms of styles and genres. We’ll also be showcasing two singles being released in October.
This isn’t your first time performing at The Lab–you hosted your No News Live At Wash Dog Studio EP launch there last year, too. What do you love about this venue?
We love The Lab as it’s the best venue for blending the arts of visual and audio. The Lab is a unique opportunity to let various art forms collaborate and create together–something that doesn’t have much of Australia, even. Seeing the heads from The Bait Fridgeput together one of their shows at The Lab is one of my favourite Adelaide performances I have been to.
How visual media intersects with music is a huge part of No News’ craft, particularly with your collaborative work with artist Miles Dunne. How does this medium add to the experience of your live shows?
Playing with Miles Dunne on visuals organically fuels our live improvisation. There’s an unspoken chemistry. It feels like there's an answer and call [between] sound and visuals, which intertwines the two senses into one experience. It completely changes the outcome of our sets. We’ve always felt drawn to collaborating with other arts and artists. It took a while for us to realise we felt restricted within music. Breaking the barrier and reaching out for other inputs and alternative inspirations helped establish us and what we represent.
What sets Adelaide’s creative/music scene apart from other states?
As creatives in the scene, one thing that sticks out is how supportive everyone is of anyone trying something new across any art form. The community in Adelaide is a safe space to try any new direction. With so many creatives bobbing around, it’s not hard to get involved and start your journey networking in the community and finding your groove.
What influences the sound direction of No News? How do you balance so many interests?
We’re lucky the three of us have very similar musical interests and there’s a lot of overlap between our individual tastes. Rather than feeling the need to compromise, it feels like we inspire and develop each other’s musical ideas and tastes [to form] a cohesive unit. Huge influences for us are Bad Bad Not Good, Roza Terenzi, DJ Food, LTJ Boukem, Big Yawn, Charlie XCX, Todd Terje and Project Pat. They all play a huge part in our output. Balancing so many influences comes naturally – we give our sets a lot of freedom and wiggle room for many genres and moods [to appear]. By sticking to our guns sonically and not restricting ourselves to a particular sound, our tastes transition smoothly and add to the set's journey.
How does improvisation fuel your creativity?
Improvisation is the foundation of No News. It’s everything to us: where we found our sound, how we let steam off and how we all became best mates. Improv motivates our creativity as it allows us not to have any boundaries with our ideas. It allows us to workshop ideas in a live setting and lets the audience become part of the creative process. We'll have a set list for Big Yawn, but we’re super keen to go off-script and see where we go. We’ve loved playing ghetto/booty house live lately, as well as dub, Latin-orientated house, DnB and West African and Latin rhythms.
No News kicked off 2024 with a bang at Sonder Festival and Wide Open Space. What’s next for you musically?
What’s next is we’re putting more energy into recording and releasing music. We’ll be releasing a few singles at the end of October [and we’re] looking forward to putting pen to paper [and forming] a lot of ideas that have been marinating over the run of shows we recently did. On June 5 we are playing two sets at Section 8, which has been a goal for NoNews for some time. Sonny is joining Cam and Simon over in Naarm/Melbourne after the Big Yawn gig. Having all three of us in Victoria will be a huge step forward for No News–we’ve been divided across two states for the past year. We’re really just keen to play live as much as we can and release tracks.
See No News support Big Yawn alongside Georgia Oatley at The Lab on July 6. Tickets on sale now via The Lab.
Having just released their stellar debut album The Line, we chat with Indiago frontman Will Solomon about what went into making the record.
Adelaide-based artists Venus, Louis Campbell, and Luka Kilgariff on the highs and lows of interstate touring.
We speak with folk band Eyrie — Adelaide’s pre-eminent storytellers — on the way South Australia doesn’t always give arts its dues.
Fresh from releasing her debut EP Who Are You When You’re Not Performing?, aleksiah is embarking on a national tour next month. We chat with her about hometown shows and building connections interstate...
Ahead of the film’s Adelaide premiere at the Adelaide Film Festival next week, we chatted with Pavement’s guitarist and vocalist Scott Kannberg about the movie, TikTok fame and what’s next for the band.
Teen Jesus and The Jean Teasers guitarist Scarlett McKahey chats about the Canberra circuit, representation and what’s next.
Coldwave about life on the road, new music and their forthcoming headline show at Jive on October 25.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Grinspoon are back and louder than ever on their eighth studio album whatever, whatever. Ahead of their nationwide tour – which includes three SA gigs – legendary frontman Phil Jamieson reveals all on hitting the road and who got the band back together
AdeLOUD is a one-day festival celebrating the 150th anniversary of the University of Australia. We chat with festival curator Motez about the lineup and the importance of the event...
Ahead of Spellmans’ Social’s third birthday celebrations, we chat with owner Ryan Spellman about how the business got started, community support and what to expect from ReggaeFest Vol. 2.
Celebrating 20 years of championing Australia’s alt-country, blues and roots scene, the Semaphore Music Festival returns this October long weekend. Event organiser Deb Thorsen reveals what’s in store…
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
Confidence Man are back and sexier than ever with their bold, beat-driven third album, 3AM (LA LA LA). The only question is, are you ready to rave?
Fresh from their first single for 2024, The Tullamarines are making waves around Australia with their headline ‘Loser’ tour. We hear what the local legends have in store for their hometown gig…
Tony Hawk’s Pro Skater 3 soundtrack helped launch the career of some of the biggest bands in the alternative music scene – including CKY. But it takes talent to stay at the top. As the band celebrates 25 years, drummer Jess Margera reflects on the fallouts and fortunes that led them to today.
Music has always been a vehicle for change. And for UK-based, political folk powerhouse Grace Petrie, her anger towards the systems that inflict pain on the world is at its most powerful in song. But there’s hope for the future, too. Here, the artist unpacks her Australian tour and how her latest album inspires us to Build Something Better.
Premier Peter Malinauskas unpacks what the new legislation means for the Crown & Anchor, how he’s protecting future live music venues and the challenges facing the industry right now.
Wanderers frontman Dusty Lee Stephensen and guitar-playing sensation Lucas Day sit down for an honest chat about music making, being a frontperson and what to expect from their Adelaide Guitar Festival shows.
The five-piece play the Crown & Anchor Hotel this September 5.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.
A three-hour vinyl set from Berlin-based DJ Mary Yuzovskaya is what local techno collective Subvert is gifting the Adelaide scene this month. Here’s what to expect.
In the last three years, Allday has moved to London, worked at an Italian olive farm and found his way back to his musical roots – being a rapper. It’s this journey the Adelaide-born artist immortalises on his brilliant, beat-heavy fifth album, The Necklace.
As the Spiderbait prepares for their 20th anniversary ‘Black Betty’ tour, drummer/vocalist Kram reflects on the madness of the last two decades.
Homegrown star George Alice is playing Flinders Open Days in a free, open-air concert to celebrate the new city campus on August 11.
‘I Was Asleep’ is just a taste of Tonix’s euphoric, expansive and genre-defying sound. Here, the three-piece give us a vibe check on their launch gig for the fresh single.
We speak with Josh Pyke ahead of his talk at Indie-Con 2024 in Adelaide.
META’s Dona Inthaxoum talks creating content that’ll cut through the noise on social media and create impact ahead of the 2024 Indie-Con panel for the ‘Creating Content — How to Get Seen and Heard’
Currently in the middle of a massive Australian tour in support of his forthcoming album, This One’s for the Old Headz, Ben Lee chats with The Note about the tour and his new album.
Like Desert Island Discs. Only South Australian – and without the litigation from the BBC.