In the Green Room: No News
Adelaide electronic jazz fusion No News are supporting Melbourne quartet Big Yawn at The Lab next month. Here, we get to know the tight-knit three-piece a little better...
We’re stoked you're supporting Big Yawn at The Lab this July. What should we expect from your set?
We’re so excited to be supporting such a huge influence of ours and our sound. We’ve followed Big Yawn since they released their EP Pressure Acts in 2021 (fanboys). Expect new music, giddy energy and a visual love for what we do together live. Our set is a revolving door of new tracks we find jamming and the personal favs we keep circling back to. We’re always eager to keep each other and our audience guessing, dipping into new realms of styles and genres. We’ll also be showcasing two singles being released in October.
This isn’t your first time performing at The Lab–you hosted your No News Live At Wash Dog Studio EP launch there last year, too. What do you love about this venue?
We love The Lab as it’s the best venue for blending the arts of visual and audio. The Lab is a unique opportunity to let various art forms collaborate and create together–something that doesn’t have much of Australia, even. Seeing the heads from The Bait Fridgeput together one of their shows at The Lab is one of my favourite Adelaide performances I have been to.
How visual media intersects with music is a huge part of No News’ craft, particularly with your collaborative work with artist Miles Dunne. How does this medium add to the experience of your live shows?
Playing with Miles Dunne on visuals organically fuels our live improvisation. There’s an unspoken chemistry. It feels like there's an answer and call [between] sound and visuals, which intertwines the two senses into one experience. It completely changes the outcome of our sets. We’ve always felt drawn to collaborating with other arts and artists. It took a while for us to realise we felt restricted within music. Breaking the barrier and reaching out for other inputs and alternative inspirations helped establish us and what we represent.
What sets Adelaide’s creative/music scene apart from other states?
As creatives in the scene, one thing that sticks out is how supportive everyone is of anyone trying something new across any art form. The community in Adelaide is a safe space to try any new direction. With so many creatives bobbing around, it’s not hard to get involved and start your journey networking in the community and finding your groove.
What influences the sound direction of No News? How do you balance so many interests?
We’re lucky the three of us have very similar musical interests and there’s a lot of overlap between our individual tastes. Rather than feeling the need to compromise, it feels like we inspire and develop each other’s musical ideas and tastes [to form] a cohesive unit. Huge influences for us are Bad Bad Not Good, Roza Terenzi, DJ Food, LTJ Boukem, Big Yawn, Charlie XCX, Todd Terje and Project Pat. They all play a huge part in our output. Balancing so many influences comes naturally – we give our sets a lot of freedom and wiggle room for many genres and moods [to appear]. By sticking to our guns sonically and not restricting ourselves to a particular sound, our tastes transition smoothly and add to the set's journey.
How does improvisation fuel your creativity?
Improvisation is the foundation of No News. It’s everything to us: where we found our sound, how we let steam off and how we all became best mates. Improv motivates our creativity as it allows us not to have any boundaries with our ideas. It allows us to workshop ideas in a live setting and lets the audience become part of the creative process. We'll have a set list for Big Yawn, but we’re super keen to go off-script and see where we go. We’ve loved playing ghetto/booty house live lately, as well as dub, Latin-orientated house, DnB and West African and Latin rhythms.
No News kicked off 2024 with a bang at Sonder Festival and Wide Open Space. What’s next for you musically?
What’s next is we’re putting more energy into recording and releasing music. We’ll be releasing a few singles at the end of October [and we’re] looking forward to putting pen to paper [and forming] a lot of ideas that have been marinating over the run of shows we recently did. On June 5 we are playing two sets at Section 8, which has been a goal for NoNews for some time. Sonny is joining Cam and Simon over in Naarm/Melbourne after the Big Yawn gig. Having all three of us in Victoria will be a huge step forward for No News–we’ve been divided across two states for the past year. We’re really just keen to play live as much as we can and release tracks.
See No News support Big Yawn alongside Georgia Oatley at The Lab on July 6. Tickets on sale now via The Lab.
Adelaide electronic jazz fusion No News is supporting Melbourne quartet Big Yawn at The Lab. Get to know the tight-knit three-piece a little better...
On the cusp of their tenth studio album, pond’s enigmatic and eccentric frontman, Nick Allbrook, dives deep into what makes the psychedelic rockers tick and the magic that went into making the wide and whimsical stung!
Ahead of their Friday night gig at the city’s favourite basement bar, Lowlife, The Danger Dolphins open up about their forthcoming EP, Jam Factory.
True blue rockers The Shadow Ministers are preparing for a Grace Emily gig packed with new music this month. You’ve been warned...
Atlas Genius’ Keith Jeffery on what inspired the SA-born band’s new singles and the people, places and emotions that fuelled their forthcoming fourth album, End of the Tunnel
We chat with Angie McMahon about her new album, Light, Dark, Light Again.
It’s been 10 years since DZ Deathrays dropped their sophomore album Black Rat that, in their words, changed their lives forever.
Ahead of their May 24 gig at LowLife Basement Bar, garage punk rockers Jayne Doe lift the lid on what went into their punchy new track, ‘User’.
What happens when you lose your understanding of the world? It’s a big question – one that indie darlings middle kids attempt to answer on Faith Crisis Pt 1
South Australia’s alt-country crooner Matt Ward is back on the tools with a fresh new sound for his single ‘Come Home Safe’.
The Hazys are injecting some fresh energy into the local scene with their heartfelt, groove-infused tracks. Here’s what to expect from their EP launch...
Ahead of their gig at The Gov, The Vaccines chat about perfectionism, the influence of nostalgia and what it means to be a band 13 years into the gig.
Ahead of their show at Hindley St Music Hall, Nothing But Thieves welcome us into the despotic universe they designed for their runaway fourth album, ‘Dead Club City’.
Pash are pulling heartstrings on their latest single, ‘Teenage Years’. Nic Bergoc from the up-and-coming, genre-defying indie act chats how they built their oh-so-tender tender track, band influences and what to expect at their next UniBar gig.
Ahead of their Adelaide show this month, we chat with The Damned bassist Paul Gray about joining the band, the return of Scabies and if this really is their final tour.
High energy, dance beats and weird noises are three things Thunder Speaks says you can expect from their album launch at Grace Emily Hotel. Azz from the twin-bass and synth-heavy band tells us more...
When it takes to Her Majesty’s Theatre stage this month, Elvis: A Musical Revolution, will grant audiences a behind-the-scenes look into the celebrated yet complex legacy of Elvis Presley.
God of political rock Peter Garrett talks about the loneliness of the screen age, playing under nature’s light show and why connectedness can get the good stuff done
The Mary Wallopers are named after a boat that was named after a sex worker. No wonder why they come with a bit of edge…
Ahead of their Adelaide show this month, we chat with The Damned bassist Paul Gray about joining the band, the return of Scabies and if this really is their final tour.
Jets frontman Dave Gleeson talks about their new album, how their current Aussie tour champions the legacy of their musical brother Paul Woseen and the professional misconduct they got up to along the way.
There’s a party on Popeye this Fringe season and it’s calling your name. Vibe curators Endless Grooves tell us more...
Ahead of their LP launch the four-piece tells us how the eight tracks came together…
Ahead of their upcoming tour, Cog takes us through the making of their two mid-noughties masterpieces and what it means for the outfit to perform 25 years into their career
King Jeff & The How Are Yous are bringing the party to Nice Day To Go To The Club. Tom Redden and Jack Dollard from the seven-piece give us the lowdown on what to expect…
Private Function on why their March 1 Adelaide gig is going to be a big one.
Mogwai are returning to Adelaide after a nine-year absence. Here, the band chat about their forthcoming documentary, their soundtrack work on Black Bird and recording their latest album.
After 30 years, The BordererS are hanging up their kilts with a farewell gig at The Gov. Founding member Jim Paterson tells us more about their final bow...
Ahead of their Hindley Street Music Hall gig this Tuesday, Dan Hawkins from iconic brit-rock band The Darkness looks back at their debut album Permission to Land.